Skip to main content

Although the Italian Renaissance is one of the most important world-historical and cultural periods ever, it’s quite difficult to penetrate for novices. I speak as one who, in order to learn anything about, had to do all of the reading and teaching to myself.

The rewards for learning about the Italian Renaissance (roughly 1300-1500) are exceptionally high, though. You will know enough to be dangerous in just about any scholarly field that comes after the Renaissance, and since most of the figures in this Renaissance were so-called “Renaissance men”–that is, they were simultaneously artists, architects, engineers, mathematicians, philosophers, and poets–studying this field will affect just about anybody interested in any discipline or mix of disciplines.

The other reward for studying this period is that you will thoroughly enjoy travelling through Italy for the rest of your life, as did many of the great artists, poets, and scientists who have done so.

This is a living and therefore incomplete list. I will add to it and delete it as necessary. Since reading in this period is only my hobby, and not my specialty, I would happy to hear you tell me what I’m wrong about. What should be included, and what should be excluded?


The one figure whom anybody can gain much from, Dante obviously wrote the Divine Comedy, but his other works are especially helpful, too. You ought to start here and focus on Dante, because Petrarch, Michelangelo, Machiavelli, and many others had partly memorized his poetry and were using it all sorts of great ways. Here are a few translations, for historical interest. Start with Anthony Esolen’s (a theologically correct version), Mark Musa’s (accessible to laypeople), or Henry Francis Cary’s (which is boring but historically fascinating, if you’re into 19th century scholarship).

  • The Divine Comedy (translators Sayers, Musa, Esolen, Mendelbaum, Sinclair, Longfellow, Henry Francis Cary).
  • Monarchia
  • Vita Nuova
  • Convivio
  • De vulgari eloquentia
  • Letters to Can Grande

Petrarch and Boccaccio

Here’s a contentious claim: anybody interested in poetry ought to read Petrarch, otherwise they can’t claim to know poetry. He might be the most influential poet ever, plus he’s a fantastic philosophical poet of great power. Boccaccio is nearly equally fascinating in his own right.

  • Petrarch — Canzoniere; Secretum Meum; Trionfi; letters
  • Giuseppe Mazzotta — The Worlds of Petrarch
  • Boccaccio — The Decameron; Life of Dante
  • Giuseppe Mazzotta — Boccaccio and the World at Play

Niccolo Macchiavelli

Besides John Calvin, Machiavelli gets my vote as the most misunderstand thinker in Western culture. His name is invoked today to label manipulative or cunning politicians, but it seems right to say that he was, or wanted to be, a principled republican. He’s a brilliant political philosopher who took special account of the psychological differences in perceptions of various people and even the delusions we all suffer under. If you read the work he’s most well-known for, The Prince, then I think you must balance your reading with “The Mandrake” and his Discourses on Livy, which is perhaps his best book.

  • Discourses on Livy
  • The Prince
  • Florentine Histories
  • Plays — “The Mandrake”, “Clizia,” “Andria”
  • The Art of War

Other Important Primary Works

  • Alberti — On Painting; On Sculpture
  • Ariosto — Orlando Furioso
  • Tasso — Jerusalem Delivered
  • Leonardo Da Vinci — Notebooks
  • Castiglione — The Book of the Courtier
  • Giorgio Vasari — Lives of the Artists
  • Cellini — Autobiography
  • Campanella — The City of the Sun
  • Mirandola — On the Dignity of Man

Secondary Works on Renaissance Art, History and Politics

  • Paul Johnson — The Renaissance (the easiest read of all)
  • Charles L Mee — Daily Life in the Renaissance (also easy; begin here)
  • Francesco Guicciardini — The History of Italy, from the year 1490 to 1532
  • Jacob Burkhardt — The Civilization of the Renaissance in Italy
  • J.H. Plumb — The Italian Renaissance
  • Ross King — Brunelleschi’s Dome; Michelangelo and the Pope’s Ceiling
  • Miles J Unger — Michelangelo
  • Gene Brucker — Renaissance Florence; Florence: the Golden Age
  • Loren Partridge — The Renaissance in Rome; Art of Florence: 1400-1600
  • Christopher Hibbert — The Borgias and Their Enemies; The House of the Medici: Its Rise and Fall
  • Giuseppe Mazzotta — The New Map of the World; Cosmopoesis; Dante’s Vision and the Circle of Knowledge; Dante, Poet of the Desert

Leave a Reply